PostOffice grew out of a band of post-production professionals whose sole goal was to create a place where precision and quality is everything. As professionals, the founders knew that machines are merely tools and that the operator is the only key to success.
With this statement in the past few years PostOffice has pulled in the industry’s top talents to form Hungary’s largest and best dailies, grading, and editorial company. All our jobs are personally tailored and the best people are carefully chosen for the every project.
Past Works
The company’s past work spans notable projects for studios like A24, Netflix, HBO, Amazon, and Disney. Noteworthy productions include The Brutalist (2024), Pieces of a Woman (2020), Outside the Wire (2021), The King (2019), and The Monkey Man (2024). This extensive portfolio demonstrates our ability to handle diverse, high-profile projects across various genres, ensuring we meet the technical and creative demands of international clients in film and television.
The company portfolio is extensive ranging from film-school projects to major studio films.
Post Services
Our Color Grading and Dailies services are without a doubt Hungary’s finest. PostOffice tailors all projects to maximize the needs of the client. No matter the amount of hours or terabytes our facilities are prepared to handle all formats and sizes. Using industry standard equipment for picture presentation (Sony BVM HX310, Barco SP4K), archive, backup, and transcode PostOffice can juggle any number of projects simultaneously. Currently, PostOffice is the country’s sole user of Signiant’s MediaShuttle platform – which outperforms Aspera in terms of speed, scalability, and budget awareness – with the ability to transfer material overseas as if it were a few blocks away.
Editor Suits
PostOffice has the most number of fully equipped offline suites in Budapest all of which are Avid Media Composer offline systems, running the latest Avid software and hardware. These systems provide the power and flexibility needed to meet the most demanding creative editorial challenges. All stations are connected to large Avid NEXIS shared storage servers that is the backbone of collaborative workflow across projects enabling unlimited access to media across multiple suites.
